Black Women Film and Video ArtistsJacqueline Bobo Psychology Press, 1998 - 246 páginas Black women film and video makers have been producing shorts, documentaries and films since the early part of this century. Unfortunately, not only has their work been overlooked by distributors, but critical reviews have been few and far between. Conceived to redress that omission, Black Women Film and Video Artists is the first comprehensive history and analysis of this genre. Gathered here are noted scholars and critics, as well as the film/video makers themselves who offer insight into the work of underexplored artists. The discussions range from pioneering to contemporary film makers and include artists such as Madeline Anderson, Monica Freeman, Jacqueline Shearer, Kathleen Collins, Julie Dash, Camille Billops, Zeinabu irene Davis, and Michelle Parkerson, among others. Contributors include: Jacqueline Bobo, Carmen Coustaut, Gloria J. Gibson, C.A. Griffith, Monique Guillory, Carol Munday Lawrence, O. Funmilayo Makarah, Ntongela Maselila, Jacqueline Shearer, P. Jane Splawn. |
Contenido
Women Directors of the Los Angeles School | 21 |
21 | 51 |
13335 | 63 |
critical practice | 93 |
6 | 109 |
FiredUp | 125 |
Creating Black Womens Love Stories | 139 |
9 | 172 |
Otras ediciones - Ver todas
Términos y frases comunes
aesthetic African American Afrocentricity American Film Institute Angeles School audience Audre Lorde Baker Barbara Bernice Johnson Reagon Billie Billops's Black Film Review Black independent Black lesbian Black Women Film Black women filmmakers Blue camera Camille Billops Carmen Coustaut carol munday lawrence cinema creative critical cultural identity Dash's Daughters DeCarava Diaspora documentary Dust Ella Baker experience female feminism film and video filmic Finding Christa Gibson-Hudson Gloria images interviews jacqueline bobo Jacqueline Shearer jane splawn jazz Julie Dash Kathleen Collins lesbian Los Angeles male Michelle Parkerson monique guillory mother movement Nana narrative Nguzo Saba Ntozake Shange O.Funmilayo Makarah perspective photographs political Press production racism relationship representation Rodney King Roy DeCarava screen sexual social story Suzanne Sweet Honey talk television things Third World Newsreel tion University video artists woman Women Make Movies writing York Zeinabu irene