The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 15
... Born , did not , however , belong to the " firm . " He reigned over much loftier spheres . Born in Transylvania in 1742 , a former pupil of the Jesuits and then of the University of Prague , he had studied philosophy , law , and the ...
... Born , did not , however , belong to the " firm . " He reigned over much loftier spheres . Born in Transylvania in 1742 , a former pupil of the Jesuits and then of the University of Prague , he had studied philosophy , law , and the ...
Seite 16
... Born attests to the attraction that the older man exercised upon him.13 That feeling appears to have been reciprocal , as Born subscribed to works by Mozart . It was in his honor that , on April 20 , 1785 , Mozart composed his can- tata ...
... Born attests to the attraction that the older man exercised upon him.13 That feeling appears to have been reciprocal , as Born subscribed to works by Mozart . It was in his honor that , on April 20 , 1785 , Mozart composed his can- tata ...
Seite 17
... Born personally would be excessive . The resemblance became in- evitable because they wanted to present a sage of high degree , and Born answered to that requirement ; but Sarastro would no doubt have been the same if Born had not ...
... Born personally would be excessive . The resemblance became in- evitable because they wanted to present a sage of high degree , and Born answered to that requirement ; but Sarastro would no doubt have been the same if Born had not ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte