The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Ergebnisse 1-3 von 92
Seite 25
... Die Entstehung der Zauberflöte " ( The Gene- sis of Die Zauberflöte ) , which was little less than a new treat- ment , still further embellished , of " unpublished " details . " Mozart , " we read , " had scarcely composed the first ...
... Die Entstehung der Zauberflöte " ( The Gene- sis of Die Zauberflöte ) , which was little less than a new treat- ment , still further embellished , of " unpublished " details . " Mozart , " we read , " had scarcely composed the first ...
Seite 44
... Die Zauberflöte , and in 1812 the two the- aters played it simultaneously . Outside Vienna , we find Die Zauberflöte performed in Prague in October 1792 , in Frankfurt - am - Main in 1793 , in Ber- lin in 1794. Hamburg was more hesitant ...
... Die Zauberflöte , and in 1812 the two the- aters played it simultaneously . Outside Vienna , we find Die Zauberflöte performed in Prague in October 1792 , in Frankfurt - am - Main in 1793 , in Ber- lin in 1794. Hamburg was more hesitant ...
Seite 306
... Die Zauberflöte , and the Requiem almost simultaneously ) had literally used him up . He heard only echoes of his triumph . By then , he rarely left his bed , and in no case left his room . On November 20 , 1792 , when Die Zauberflöte ...
... Die Zauberflöte , and the Requiem almost simultaneously ) had literally used him up . He heard only echoes of his triumph . By then , he rarely left his bed , and in no case left his room . On November 20 , 1792 , when Die Zauberflöte ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte