The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 326
Jacques Chailley. • Kuéss - Scheichelbauer , p . 18 . 7 Ibid . , pp . 57–60 . 8 Koch , p . 21 . The text of the regulation will be found in Kuéss - Scheichelbauer , p . 66 . 10 Ibid . , pp . 74–5 . 11 Ibid . , p . 77 . 12 Naudon , pp ...
Jacques Chailley. • Kuéss - Scheichelbauer , p . 18 . 7 Ibid . , pp . 57–60 . 8 Koch , p . 21 . The text of the regulation will be found in Kuéss - Scheichelbauer , p . 66 . 10 Ibid . , pp . 74–5 . 11 Ibid . , p . 77 . 12 Naudon , pp ...
Seite 329
Jacques Chailley. Chapter 14 1 Vat , pp . 38-54 ; Palou , pp . 266-73 . 2 Palou , p . 339 . 3 Alfred Einstein ... Jacques Chailley , " Mythologie et civilisation musicales dans la Grèce antique , " in Jacques Porte , Encyclopédie des ...
Jacques Chailley. Chapter 14 1 Vat , pp . 38-54 ; Palou , pp . 266-73 . 2 Palou , p . 339 . 3 Alfred Einstein ... Jacques Chailley , " Mythologie et civilisation musicales dans la Grèce antique , " in Jacques Porte , Encyclopédie des ...
Seite iv
Jacques Chailley. 4 A Note About the Author A composer , Jacques Chailley. Gespräche für Freymäurer ( Les- sing ) , 53 , 64 Ghika , Matila , 325 , 328 ; quoted , 86 Giesecke ( Gieseke , born Metzler ) , Carl Ludwig , 10 , 13–15 , 19 , 29 ...
Jacques Chailley. 4 A Note About the Author A composer , Jacques Chailley. Gespräche für Freymäurer ( Les- sing ) , 53 , 64 Ghika , Matila , 325 , 328 ; quoted , 86 Giesecke ( Gieseke , born Metzler ) , Carl Ludwig , 10 , 13–15 , 19 , 29 ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte