The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 107
... Monostatos represents , then , the degraded love of masculine desire , just as , when Tamino faints , the Three Ladies represent the de- graded love of feminine flirtatiousness . Monostatos's blackness as a Moor ( the traditional civil ...
... Monostatos represents , then , the degraded love of masculine desire , just as , when Tamino faints , the Three Ladies represent the de- graded love of feminine flirtatiousness . Monostatos's blackness as a Moor ( the traditional civil ...
Seite 204
... Monostatos . No. 6 / TRIO This is not really a trio , but a sectional scene made up of two successive duets : Monostatos - Pamina first , then Papageno- Monostatos . A. Pamina's Swoon ( Pamina - Monostatos duet ) Key of G major , which ...
... Monostatos . No. 6 / TRIO This is not really a trio , but a sectional scene made up of two successive duets : Monostatos - Pamina first , then Papageno- Monostatos . A. Pamina's Swoon ( Pamina - Monostatos duet ) Key of G major , which ...
Seite 249
... Monostatos is a comic character . Much identified with " Turkish music , " * Monostatos is a Negro , and that fact sufficed , at a time when no one was very demanding about the geography of exoticism , to justify this style , which is ...
... Monostatos is a comic character . Much identified with " Turkish music , " * Monostatos is a Negro , and that fact sufficed , at a time when no one was very demanding about the geography of exoticism , to justify this style , which is ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte