The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
Im Buch
Ergebnisse 1-3 von 76
Seite 48
... Night represented the tyranny of Louis XIV ( ! ) ; Pamina was Liberty , daughter of despotism ; Tamino was the people ; the Three Ladies represented the deputies of the Three Estates , etc.1o Not until 1857 was the word " Freema- sonry ...
... Night represented the tyranny of Louis XIV ( ! ) ; Pamina was Liberty , daughter of despotism ; Tamino was the people ; the Three Ladies represented the deputies of the Three Estates , etc.1o Not until 1857 was the word " Freema- sonry ...
Seite 92
... Night represents Evil . Night is darkness , not wicked in itself . But it is the opposite of Day , and if the conflict becomes sharp , the creators well know where their sympathies lie . Die Zauberflöte is essentially a symbolic ...
... Night represents Evil . Night is darkness , not wicked in itself . But it is the opposite of Day , and if the conflict becomes sharp , the creators well know where their sympathies lie . Die Zauberflöte is essentially a symbolic ...
Seite 101
... Night , Monostatos is serving Sarastro . The action has as its precise consequence that of restoring each of them to his true condition : Papageno , as- sistant to Tamino , will be one of Sarastro's initiates ; Monosta- tos will return ...
... Night , Monostatos is serving Sarastro . The action has as its precise consequence that of restoring each of them to his true condition : Papageno , as- sistant to Tamino , will be one of Sarastro's initiates ; Monosta- tos will return ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte