The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 325
... Palou , pp . 242 and 249-50 , and by Paul Naudon ( La Franc- Maçonnerie , p . 104 ) . For example , Ambelain gives 1782 as the date of the creation of the Misraïm Rite , whereas Palou gives 1805 , Naudon " about 1813. " If the first is ...
... Palou , pp . 242 and 249-50 , and by Paul Naudon ( La Franc- Maçonnerie , p . 104 ) . For example , Ambelain gives 1782 as the date of the creation of the Misraïm Rite , whereas Palou gives 1805 , Naudon " about 1813. " If the first is ...
Seite 328
... Palou mentioned later had placed its elements at the disposition of the " profane . " Verified by a minute examination of the score , it brought about a com- plete change of direction in my research , which was already well advanced at ...
... Palou mentioned later had placed its elements at the disposition of the " profane . " Verified by a minute examination of the score , it brought about a com- plete change of direction in my research , which was already well advanced at ...
Seite 329
Jacques Chailley. Chapter 14 1 Vat , pp . 38-54 ; Palou , pp . 266-73 . 2 Palou , p . 339 . 3 Alfred Einstein , Mozart : His Character , His Work , p . 464 . 4 Gérard de Sède , Le Trésor cathare , p . 200 . 5 Boucher , p . 42 , after O ...
Jacques Chailley. Chapter 14 1 Vat , pp . 38-54 ; Palou , pp . 266-73 . 2 Palou , p . 339 . 3 Alfred Einstein , Mozart : His Character , His Work , p . 464 . 4 Gérard de Sède , Le Trésor cathare , p . 200 . 5 Boucher , p . 42 , after O ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte