The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 68
... Salzburg . That was the last meeting of father and son , and one can accept only with skepticism Richard Koch's statement that they , as well as Schikaneder , were " visitors " in a Salzburg lodge on an unspecified date . But , as the ...
... Salzburg . That was the last meeting of father and son , and one can accept only with skepticism Richard Koch's statement that they , as well as Schikaneder , were " visitors " in a Salzburg lodge on an unspecified date . But , as the ...
Seite 142
... Salzburg , represented in Plate 41. It belonged to a notable Freemason , Basil von Ammann , and in it he held reunions that probably were Masonic or Illuministic , and in which Mozart could have participated . From that grotto , one ...
... Salzburg , represented in Plate 41. It belonged to a notable Freemason , Basil von Ammann , and in it he held reunions that probably were Masonic or Illuministic , and in which Mozart could have participated . From that grotto , one ...
Seite 316
... Salzburg Museum , photograph from the Bibliothèque Nationale , Paris , plate from Editions Robert Laf- font , Paris . 38 The " Basin of Mesmer , " the propagandist of animal magnetism and an active Freemason . Mozart's Bastien und ...
... Salzburg Museum , photograph from the Bibliothèque Nationale , Paris , plate from Editions Robert Laf- font , Paris . 38 The " Basin of Mesmer , " the propagandist of animal magnetism and an active Freemason . Mozart's Bastien und ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte