The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 22
... Schikaneder and Mozart , and a controversy on that subject had been running its course . As Seyfried had been orchestral director for Schikaneder ( who had died in 1812 ) from 1797 on , it was natural for his memories to be called upon ...
... Schikaneder and Mozart , and a controversy on that subject had been running its course . As Seyfried had been orchestral director for Schikaneder ( who had died in 1812 ) from 1797 on , it was natural for his memories to be called upon ...
Seite 305
... Schikaneder did not see that in- consistency at all , and the great Mozart , fully conscious of his musical power , paid no attention to it . A large number of pieces composed by Mozart were altered at Schikaneder's request . Papageno's ...
... Schikaneder did not see that in- consistency at all , and the great Mozart , fully conscious of his musical power , paid no attention to it . A large number of pieces composed by Mozart were altered at Schikaneder's request . Papageno's ...
Seite 306
... Schikaneder as Papageno on the evenings when the latter , physically unwell or out of sorts , was prevented from doing it ; when Fräulein Gottlieb went over to the enemy at the Leopoldstadttheater , she was replaced by Fräulein Witt ...
... Schikaneder as Papageno on the evenings when the latter , physically unwell or out of sorts , was prevented from doing it ; when Fräulein Gottlieb went over to the enemy at the Leopoldstadttheater , she was replaced by Fräulein Witt ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte