The Magic Flute, Masonic OperaDa Capo Press, 1982 M04 21 - 336 páginas |
Dentro del libro
Resultados 1-3 de 12
Página 50
Jacques Chailley. 7 Mozart and the Singspiel Mozart's attitude toward the Singspiel , already referred to , re- quires further discussion because it involves not only his indi- vidual position , but also an increasingly general tendency ...
Jacques Chailley. 7 Mozart and the Singspiel Mozart's attitude toward the Singspiel , already referred to , re- quires further discussion because it involves not only his indi- vidual position , but also an increasingly general tendency ...
Página 51
... Singspiel followed the French example only after some twenty years , but was not long thereafter in trying to go beyond it . Not content with arousing emotion , it wanted to make its audience think , and Die Zauberflöte was to be the ...
... Singspiel followed the French example only after some twenty years , but was not long thereafter in trying to go beyond it . Not content with arousing emotion , it wanted to make its audience think , and Die Zauberflöte was to be the ...
Página 54
... Singspiel . Between Die Entführung and it , he composed the amusing but rather in- significant Schauspieldirektor , which need not detain us ; it is less a Singspiel than an occasional skit composed to a subject furnished personally by ...
... Singspiel . Between Die Entführung and it , he composed the amusing but rather in- significant Schauspieldirektor , which need not detain us ; it is less a Singspiel than an occasional skit composed to a subject furnished personally by ...
Contenido
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Derechos de autor | |
Otras 18 secciones no mostradas
Otras ediciones - Ver todas
La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la ... Jacques Chailley Vista de fragmentos - 1971 |
Términos y frases comunes
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte