The Magic Flute, Masonic OperaDa Capo Press, 1982 M04 21 - 336 páginas |
Dentro del libro
Resultados 1-3 de 14
Página 33
... Thamos , König in Ägypten , and Zaide , whole scenes of which one finds trans- planted into Die Zauberflöte . Thamos furnished , in the Egyp- tian framework dear to the Freemasons , the notions of the conflict between Light and Night ...
... Thamos , König in Ägypten , and Zaide , whole scenes of which one finds trans- planted into Die Zauberflöte . Thamos furnished , in the Egyp- tian framework dear to the Freemasons , the notions of the conflict between Light and Night ...
Página 53
... Thamos music in Die Zauberflöte , and he must have thought well of the earlier work , as he took it up again in 1779 to reshape and improve it . The series of great Singspiels opened with the incomplete Zaide of 1780. The discovery ...
... Thamos music in Die Zauberflöte , and he must have thought well of the earlier work , as he took it up again in 1779 to reshape and improve it . The series of great Singspiels opened with the incomplete Zaide of 1780. The discovery ...
Página 102
... Thamos because of the resemblance , already discussed , of the two Masonic librettos and by the memory that Mozart had preserved of his 1773-9 score . Naturally , it is impossible to entertain seriously Edward J. Dent's hypothesis ...
... Thamos because of the resemblance , already discussed , of the two Masonic librettos and by the memory that Mozart had preserved of his 1773-9 score . Naturally , it is impossible to entertain seriously Edward J. Dent's hypothesis ...
Contenido
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Derechos de autor | |
Otras 18 secciones no mostradas
Otras ediciones - Ver todas
La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la ... Jacques Chailley Vista de fragmentos - 1971 |
Términos y frases comunes
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte