The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 114
... THREE BOYS Sarastro's Three Boys ( the symbol of the number is correct this time ) correspond , in the camp of the adversary , to the Three Ladies of the Queen of the Night . That these Three Boys should often , for practical reasons ...
... THREE BOYS Sarastro's Three Boys ( the symbol of the number is correct this time ) correspond , in the camp of the adversary , to the Three Ladies of the Queen of the Night . That these Three Boys should often , for practical reasons ...
Seite 116
... three pillars denominated " Strength , Beauty , Wisdom . " * These three vir- tues , furthermore , are the ones celebrated in the final chorus of Die Zauberflöte . The young boys lack only one of them : strength , which is replaced by ...
... three pillars denominated " Strength , Beauty , Wisdom . " * These three vir- tues , furthermore , are the ones celebrated in the final chorus of Die Zauberflöte . The young boys lack only one of them : strength , which is replaced by ...
Seite 272
... Three Boys evoke her sorrow : she is beside herself ( expressive figure of the augmented second in the doublebasses after the word " Leiden " [ sorrows ] ) , and they pity her fate ( no less expressive chromatic descents by the ...
... Three Boys evoke her sorrow : she is beside herself ( expressive figure of the augmented second in the doublebasses after the word " Leiden " [ sorrows ] ) , and they pity her fate ( no less expressive chromatic descents by the ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte