The Magic Flute, Masonic OperaDa Capo Press, 1982 M04 21 - 336 páginas |
Dentro del libro
Resultados 1-3 de 11
Página 27
... Zauber- flöte opens with the " episode of the serpent , " the source of which was not Lulu , but Sethos — that is , the most Masonic of the sources for the work . Further , it is Dent himself who tells us so.® > Ought we , then , to ...
... Zauber- flöte opens with the " episode of the serpent , " the source of which was not Lulu , but Sethos — that is , the most Masonic of the sources for the work . Further , it is Dent himself who tells us so.® > Ought we , then , to ...
Página 31
... Zauber- flöte are real , but summary and wholly external , becoming smaller as we proceed . Seyfried's version , according to which Schikaneder entirely rewrote his play after having prepared up to the first finale a first version ...
... Zauber- flöte are real , but summary and wholly external , becoming smaller as we proceed . Seyfried's version , according to which Schikaneder entirely rewrote his play after having prepared up to the first finale a first version ...
Página 34
... Zauber- flöte into a Masonic play , he did not take his friend Schika- neder off guard . Although the subject never had been treated with the allusive precision that one encounters in Die Zauber- flöte , it was " in the air ...
... Zauber- flöte into a Masonic play , he did not take his friend Schika- neder off guard . Although the subject never had been treated with the allusive precision that one encounters in Die Zauber- flöte , it was " in the air ...
Contenido
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Derechos de autor | |
Otras 18 secciones no mostradas
Otras ediciones - Ver todas
La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la ... Jacques Chailley Vista de fragmentos - 1971 |
Términos y frases comunes
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte