The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 23
... beginning of May , at the earliest . Well , on June 11 , as we know from a letter to Constanze , Mozart had composed the music as far as the duet of the two priests in the second act ( No. 11 in his score ) . † Because it was his custom ...
... beginning of May , at the earliest . Well , on June 11 , as we know from a letter to Constanze , Mozart had composed the music as far as the duet of the two priests in the second act ( No. 11 in his score ) . † Because it was his custom ...
Seite 90
... beginning and that in the middle - coldly " corrected " the latter by tying two half - notes in such a way as to produce three regular double blows , 00-00-00 . Probably without realizing it , Lachnith thus reproduced the rhythm that ...
... beginning and that in the middle - coldly " corrected " the latter by tying two half - notes in such a way as to produce three regular double blows , 00-00-00 . Probably without realizing it , Lachnith thus reproduced the rhythm that ...
Seite 202
... beginning of the instruction , the Ladies its end . We already have seen ( pp . 114-16 ) the meaning of the Three Boys as announced here : they represent the beginning of the real initiation ( in Masonry , age signifies the degree of ...
... beginning of the instruction , the Ladies its end . We already have seen ( pp . 114-16 ) the meaning of the Three Boys as announced here : they represent the beginning of the real initiation ( in Masonry , age signifies the degree of ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte