The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Ergebnisse 1-3 von 22
Seite 217
... cadence . “ Ja , ja ! Sarastro herrschet hier " ( Yes , yes ! Sarastro reigns here ) . " Doch in dem Weisheitstempel nicht ? " ( But surely not in Wisdom's Tem- ple ? ) . " Er herrscht im Weisheitstempel hier " ( He reigns in Wisdom's ...
... cadence . “ Ja , ja ! Sarastro herrschet hier " ( Yes , yes ! Sarastro reigns here ) . " Doch in dem Weisheitstempel nicht ? " ( But surely not in Wisdom's Tem- ple ? ) . " Er herrscht im Weisheitstempel hier " ( He reigns in Wisdom's ...
Seite 242
... cadences . Some " realistic " touches in this passage , as for example the descent of the double- basses at the words ... cadence marking the last sen- tence , “ Tod und Verzweiflung war sein Lohn " ( Death and despair were his reward ) ...
... cadences . Some " realistic " touches in this passage , as for example the descent of the double- basses at the words ... cadence marking the last sen- tence , “ Tod und Verzweiflung war sein Lohn " ( Death and despair were his reward ) ...
Seite 245
... cadence ) , he curtly orders Papageno to keep quiet — this after having asserted in ecclesiastical style ( marked by the parallel sixth - chords of fauxbourdon ) that his word should suffice to reassure Papageno . The Three Ladies ...
... cadence ) , he curtly orders Papageno to keep quiet — this after having asserted in ecclesiastical style ( marked by the parallel sixth - chords of fauxbourdon ) that his word should suffice to reassure Papageno . The Three Ladies ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte