The Magic Flute, Masonic OperaDa Capo Press, 1982 M04 21 - 336 páginas |
Dentro del libro
Resultados 1-3 de 55
Página 85
... character of which was publicly acknowledged - to that of the opening of the " Dissonant " Quartet . I became convinced that its adagio introduction had a significance like that of the quar- tet , of which it showed all the ...
... character of which was publicly acknowledged - to that of the opening of the " Dissonant " Quartet . I became convinced that its adagio introduction had a significance like that of the quar- tet , of which it showed all the ...
Página 195
... character- ized by wide , imperious intervals ( the order to leave : " Du , du , du , " on an ascending arpeggio ) , which recurs throughout the score with a sense of recall ( cf. the Ladies ' song of triumph ) ; and the second ( the ...
... character- ized by wide , imperious intervals ( the order to leave : " Du , du , du , " on an ascending arpeggio ) , which recurs throughout the score with a sense of recall ( cf. the Ladies ' song of triumph ) ; and the second ( the ...
Página 249
Jacques Chailley. a sort of dream ? We easily distinguish the sprightly character and the couplet form , identical with Papageno's in Act I : like Papageno , Monostatos is a comic character . Much identified with " Turkish music ...
Jacques Chailley. a sort of dream ? We easily distinguish the sprightly character and the couplet form , identical with Papageno's in Act I : like Papageno , Monostatos is a comic character . Much identified with " Turkish music ...
Contenido
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Derechos de autor | |
Otras 18 secciones no mostradas
Otras ediciones - Ver todas
La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la ... Jacques Chailley Vista de fragmentos - 1971 |
Términos y frases comunes
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte