The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
Im Buch
Ergebnisse 1-3 von 9
Seite 145
... chorale can have been dictated only by some detail of its text , which is by Luther himself ( 1524 ) . It is a ... chorale Christ unser Herr zum Jordan kam . That the two chorales bear some melodic resem- blance can be agreed to with ...
... chorale can have been dictated only by some detail of its text , which is by Luther himself ( 1524 ) . It is a ... chorale Christ unser Herr zum Jordan kam . That the two chorales bear some melodic resem- blance can be agreed to with ...
Seite 277
... chorale conforms to the traditional melody , though the B - natural on the word " himmelan " is sensitized by tonal antimodalism . The orig- inal stops at the penultimate phrase ( " im Stande sein " ) ; Mozart added a final phrase ...
... chorale conforms to the traditional melody , though the B - natural on the word " himmelan " is sensitized by tonal antimodalism . The orig- inal stops at the penultimate phrase ( " im Stande sein " ) ; Mozart added a final phrase ...
Seite 279
... chorale and those which have been changed out of necessity . All that above the " animated back- ground " of the strings as they develop , most often staccato , the subject and countersubject of their fugato . ( c ) Tamino's ...
... chorale and those which have been changed out of necessity . All that above the " animated back- ground " of the strings as they develop , most often staccato , the subject and countersubject of their fugato . ( c ) Tamino's ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte