The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 23
... composed his score only after that recast- ing was complete - and , naturally , to the final version of the libretto . All of that is perfectly plausible except for one detail : the play at the Leopoldstadt was presented on June 8 ...
... composed his score only after that recast- ing was complete - and , naturally , to the final version of the libretto . All of that is perfectly plausible except for one detail : the play at the Leopoldstadt was presented on June 8 ...
Seite 40
... composed , on a theme- " Ein Weib ist das herrlichste Ding " -by Benedikt Schack ( the future Tamino ) , from a Schika- neder Singspiel , Der dumme Gärtner - a set of piano varia- tions ( K.613 ) of which the Massins noted the curiously ...
... composed , on a theme- " Ein Weib ist das herrlichste Ding " -by Benedikt Schack ( the future Tamino ) , from a Schika- neder Singspiel , Der dumme Gärtner - a set of piano varia- tions ( K.613 ) of which the Massins noted the curiously ...
Seite 305
... composed by Mozart were altered at Schikaneder's request . Papageno's song , which Schikaneder - who had reserved the role for himself - could not sing as it was because of his very limited vocal capabilities — or , rather , because of ...
... composed by Mozart were altered at Schikaneder's request . Papageno's song , which Schikaneder - who had reserved the role for himself - could not sing as it was because of his very limited vocal capabilities — or , rather , because of ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte