The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Ergebnisse 1-3 von 20
Seite 208
... DUET In the tradition of opéra - comique , the spoken dialogue about love will perforce lead into a passage of lyric comment . Like all the moralizings in Die Zauberflöte , this one is sententious and general in character . It is not a ...
... DUET In the tradition of opéra - comique , the spoken dialogue about love will perforce lead into a passage of lyric comment . Like all the moralizings in Die Zauberflöte , this one is sententious and general in character . It is not a ...
Seite 223
... duet in thirds , Pamina sang in Papa- geno's buffo style . But her own personality reasserts itself in a phrase of ... Duet in thirds which harmonizes Pamina with Papageno , duet of five notes on the two flutes illustrating the The First ...
... duet in thirds , Pamina sang in Papa- geno's buffo style . But her own personality reasserts itself in a phrase of ... Duet in thirds which harmonizes Pamina with Papageno , duet of five notes on the two flutes illustrating the The First ...
Seite 289
... duet . Another entry in the dossier of the Leitmotivs : the initial motive is almost identical with that of the allegro in C major in the first trio of the Three Ladies ( No. 1 ) . The Central section , in the dominant key ( D major ) ...
... duet . Another entry in the dossier of the Leitmotivs : the initial motive is almost identical with that of the allegro in C major in the first trio of the Three Ladies ( No. 1 ) . The Central section , in the dominant key ( D major ) ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte