The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 236
... fauxbourdon ) , the cadence preparations through sixth and fourth , and the finales by feminine appoggiaturas . No. 9a / SPOKEN SCENE : Deliberation of the Initiates The ritual nature of this scene was noted in Chapter 11. Here , so as ...
... fauxbourdon ) , the cadence preparations through sixth and fourth , and the finales by feminine appoggiaturas . No. 9a / SPOKEN SCENE : Deliberation of the Initiates The ritual nature of this scene was noted in Chapter 11. Here , so as ...
Seite 240
... fauxbourdon , in which abound series of parallel sixths and thirds , modal degrees of religious evocation ( VI ) , the depths of the voice doubling the harmonic bass , as often in the older repertoire ( bass particularly shored up on ...
... fauxbourdon , in which abound series of parallel sixths and thirds , modal degrees of religious evocation ( VI ) , the depths of the voice doubling the harmonic bass , as often in the older repertoire ( bass particularly shored up on ...
Seite 245
... fauxbourdon ) that his word should suffice to reassure Papageno . The Three Ladies fretfully complain of his rudeness to * This fact renders unnecessary the interpolations of J. G. Prod'homme , who , in his translation , found it flatly ...
... fauxbourdon ) that his word should suffice to reassure Papageno . The Three Ladies fretfully complain of his rudeness to * This fact renders unnecessary the interpolations of J. G. Prod'homme , who , in his translation , found it flatly ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte