The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 111
... feminine initiation is full of allusions to the Biblical Temptation . In order to achieve the first degree - that of Ap- prentice the future Sisters must hold the figure of a serpent in their hands . For the next degree , Companion ...
... feminine initiation is full of allusions to the Biblical Temptation . In order to achieve the first degree - that of Ap- prentice the future Sisters must hold the figure of a serpent in their hands . For the next degree , Companion ...
Seite 148
... initiation , 11 and more particularly of feminine initiation : the Grande Maîtresse of the Lodges of Adoption used to carry a bag decorated with roses , and in the past century the Children of Mary often appeared crowned with roses ( cf ...
... initiation , 11 and more particularly of feminine initiation : the Grande Maîtresse of the Lodges of Adoption used to carry a bag decorated with roses , and in the past century the Children of Mary often appeared crowned with roses ( cf ...
Seite 208
... initiation has not yet arrived , but will do so shortly ( cf. the facsimile of the ritual , p . 115 ) . Another ... feminine initiation . No. 7 / MORALIZING DUET In the tradition of opéra - comique , the spoken dialogue about love will ...
... initiation has not yet arrived , but will do so shortly ( cf. the facsimile of the ritual , p . 115 ) . Another ... feminine initiation . No. 7 / MORALIZING DUET In the tradition of opéra - comique , the spoken dialogue about love will ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte