The magic flute, Masonic opera: an interpretation of the libretto and the music |
Dentro del libro
Resultados 1-3 de 13
Página 85
Like the quartet introduction, then, it was meant to represent darkness and
ignorance so as to oppose them to the solid architecture of the succeeding fugue.
But to what did the darkness correspond? The answer to that question was
obviously ...
Like the quartet introduction, then, it was meant to represent darkness and
ignorance so as to oppose them to the solid architecture of the succeeding fugue.
But to what did the darkness correspond? The answer to that question was
obviously ...
Página 89
The opening knocking, then, is not a useless statement of the one that occurs a
little later, in the middle of the fugue. It establishes the female order described by
the introductory adagio, just as the second establishes the male order described
...
The opening knocking, then, is not a useless statement of the one that occurs a
little later, in the middle of the fugue. It establishes the female order described by
the introductory adagio, just as the second establishes the male order described
...
Página 177
This is abruptly succeeded by a straightforward rhythmic fugue, placed in its
surroundings by the three chords of masculine initiation, which describes the
active, ordered society of the rival kingdom of Light. The first section of the fugue,
...
This is abruptly succeeded by a straightforward rhythmic fugue, placed in its
surroundings by the three chords of masculine initiation, which describes the
active, ordered society of the rival kingdom of Light. The first section of the fugue,
...
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Contenido
What Everyone Knows | 3 |
Traditions and Misunderstandings | 7 |
How Many Authors? | 11 |
Derechos de autor | |
Otras 24 secciones no mostradas
Otras ediciones - Ver todas
The magic flute, masonic opera: an interpretation of the libretto and the music Jacques Chailley Vista de fragmentos - 1971 |
Términos y frases comunes
allusion appears aria beginning Birdcatcher Cabinet of Reflection cadence character chorale chords chorus comic composed degree duet E-flat major Editions Robert Laffont Egyptian Elements episode evokes fauxbourdon feminine initiation final Fire and Water Freemason Freemasonry fugue G major Giesecke glockenspiel initiatory Isis Jacques Chailley Jules Boucher kingdom later Leopoldstadt libretto lodge Loge magic flute masculine Masonic Masonry Massin Monostatos moral Mozart Nettl Night notes Oberon opera orchestra Otto Erich Deutsch Overture Palou Pamina Papageno Paris Paul Nettl phrase plate from Editions play portrait preceding priests profane Queen represents rhythm rite ritual role rubric Salzburg Sarastro says Schikaneder Schikaneder's score serpent Sethos Seyfried significance silence Singspiel SPOKEN SCENE stage swoon symbolic Tamino Tamino and Pamina Temple Thamos theater theatrical Three Boys Three Ladies tion tonality traditional trial by Air trial by Earth trio Vienna violins voice Wisdom woman words Zauber Zauberflote