The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 89
... fugue . It establishes the female order described by the introductory adagio , just as the second establishes the male order described by the fugue . The former is depicted amid elements com- monly employed for this purpose in the ...
... fugue . It establishes the female order described by the introductory adagio , just as the second establishes the male order described by the fugue . The former is depicted amid elements com- monly employed for this purpose in the ...
Seite 177
... fugue , placed in its surroundings by the three chords of masculine initiation , which describes the active , ordered society of the rival kingdom of Light . The first section of the fugue , modulating very little ( exposition and first ...
... fugue , placed in its surroundings by the three chords of masculine initiation , which describes the active , ordered society of the rival kingdom of Light . The first section of the fugue , modulating very little ( exposition and first ...
Seite 180
... fugue is very simple : after a regular exposition , a first development that modulates little leads to the tonality of the dominant . Then the fugue is interrupted , and one hears , in the special orchestration of the " Masonic winds ...
... fugue is very simple : after a regular exposition , a first development that modulates little leads to the tonality of the dominant . Then the fugue is interrupted , and one hears , in the special orchestration of the " Masonic winds ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte