The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Ergebnisse 1-3 von 55
Seite 125
... gives it a new symbolism : destined for use under the sign of Air ( man's breath ) , it has been produced magically ... give the illusion of being played upon the stage . In the role of Papageno , Schikaneder played a sham instrument ...
... gives it a new symbolism : destined for use under the sign of Air ( man's breath ) , it has been produced magically ... give the illusion of being played upon the stage . In the role of Papageno , Schikaneder played a sham instrument ...
Seite 133
... gives the guarantee . A simulacrum of deliberation involving the Vener- able and the Brothers follows , and they give final approval . Only then is the profane man , his eyes still covered , introduced into the Temple . The Venerable ...
... gives the guarantee . A simulacrum of deliberation involving the Vener- able and the Brothers follows , and they give final approval . Only then is the profane man , his eyes still covered , introduced into the Temple . The Venerable ...
Seite 325
... gives 1782 as the date of the creation of the Misraïm Rite , whereas Palou gives 1805 , Naudon " about 1813. " If the first is correct - we cannot judge the point here - the texts of that rite could be considered possible sources for ...
... gives 1782 as the date of the creation of the Misraïm Rite , whereas Palou gives 1805 , Naudon " about 1813. " If the first is correct - we cannot judge the point here - the texts of that rite could be considered possible sources for ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte