The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 142
... magic flute , and then return to announce that they have been passed successfully . Nothing even in the music describes the character of the trials : the rhythm of the flute does not change - and it continues its imperturbable march as ...
... magic flute , and then return to announce that they have been passed successfully . Nothing even in the music describes the character of the trials : the rhythm of the flute does not change - and it continues its imperturbable march as ...
Seite 150
Jacques Chailley. Now he knows that Sarastro's Solar Circle possesses magical virtues and that the young princess must commit a murder in order to appropriate it : “ Here , " he says , " is something that ... MAGIC FLUTE , MASONIC OPERA.
Jacques Chailley. Now he knows that Sarastro's Solar Circle possesses magical virtues and that the young princess must commit a murder in order to appropriate it : “ Here , " he says , " is something that ... MAGIC FLUTE , MASONIC OPERA.
Seite 225
... magic instrument . Unlike the flute , it is treated like a talisman in a fairy tale , and the theatrical law of the era requires that , as we have seen one at work , we shall not wait long to see the other ; furthermore , whereas ...
... magic instrument . Unlike the flute , it is treated like a talisman in a fairy tale , and the theatrical law of the era requires that , as we have seen one at work , we shall not wait long to see the other ; furthermore , whereas ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte