The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
Im Buch
Ergebnisse 1-3 von 19
Seite 192
... measures 37-9 ) , the one leading into the other without interruption , with a measure of meditative silence after " Was würde ich ? " Even the cadential repetitions and ampli- fications , often mere empty formulas , take on meaning ...
... measures 37-9 ) , the one leading into the other without interruption , with a measure of meditative silence after " Was würde ich ? " Even the cadential repetitions and ampli- fications , often mere empty formulas , take on meaning ...
Seite 207
... measure , which ends on a weak beat so as to describe better the stealthy departure of the two frightened men - a procedure of description by counter- usage which such a composer as Pascal de L'Estocart had em- ployed in the sixteenth ...
... measure , which ends on a weak beat so as to describe better the stealthy departure of the two frightened men - a procedure of description by counter- usage which such a composer as Pascal de L'Estocart had em- ployed in the sixteenth ...
Seite 260
... measure 29 , after " der Liebe Glück , " measure 6 , followed by a vocalise ( “ so wird Ruhe " ) , its beginning also repeated , from the first section , measure 12 , where it was in the relative key . In the same way , 34-6 can be ...
... measure 29 , after " der Liebe Glück , " measure 6 , followed by a vocalise ( “ so wird Ruhe " ) , its beginning also repeated , from the first section , measure 12 , where it was in the relative key . In the same way , 34-6 can be ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte