The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 12
... never readmitted into any Viennese lodge . It was not , then , for Masonic reasons that Mozart was first called upon to see Schikaneder in Vienna . They met with as much pleasure as before , as the actor had come to be a promoter of ...
... never readmitted into any Viennese lodge . It was not , then , for Masonic reasons that Mozart was first called upon to see Schikaneder in Vienna . They met with as much pleasure as before , as the actor had come to be a promoter of ...
Seite 39
... never written a fairy - tale opera . " As we shall see in Chapter 7 , the mature Mozart never had composed for the theater with- out a governing moral or social idea . There was none in Lulu . And one can easily imagine his effort to ...
... never written a fairy - tale opera . " As we shall see in Chapter 7 , the mature Mozart never had composed for the theater with- out a governing moral or social idea . There was none in Lulu . And one can easily imagine his effort to ...
Seite 42
... never diminished . Never- theless , no Vienna periodical took notice of it : it was being performed in an outlying theater of no importance . Later , in 1793 , a Berlin periodical asserted that the performance had been mediocre and that ...
... never diminished . Never- theless , no Vienna periodical took notice of it : it was being performed in an outlying theater of no importance . Later , in 1793 , a Berlin periodical asserted that the performance had been mediocre and that ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte