The Magic Flute, Masonic OperaDa Capo Press, 1982 M04 21 - 336 páginas |
Dentro del libro
Resultados 1-3 de 63
Página 31
... play after having prepared up to the first finale a first version inspired by that story , is quite believable . This would explain why the libretto is called Die Zauber- flöte though that accessory plays only a very secondary role in ...
... play after having prepared up to the first finale a first version inspired by that story , is quite believable . This would explain why the libretto is called Die Zauber- flöte though that accessory plays only a very secondary role in ...
Página 32
... play is homoge- neous from this point of view , and that Mozart's music was written from beginning to end in view of the final drama , not in view of the fairy story originally envisaged . We have also said that it seems unbelievable ...
... play is homoge- neous from this point of view , and that Mozart's music was written from beginning to end in view of the final drama , not in view of the fairy story originally envisaged . We have also said that it seems unbelievable ...
Página 125
... player and , when the mo- ment came , unexpectedly began to play something very different from what Schikaneder was expecting . Embarrassed and furious , Schikaneder glanced into the wings , recognized the composer , and adroitly ...
... player and , when the mo- ment came , unexpectedly began to play something very different from what Schikaneder was expecting . Embarrassed and furious , Schikaneder glanced into the wings , recognized the composer , and adroitly ...
Contenido
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Derechos de autor | |
Otras 18 secciones no mostradas
Otras ediciones - Ver todas
La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la ... Jacques Chailley Vista de fragmentos - 1971 |
Términos y frases comunes
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte