The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 33
... portrait , which furthermore was almost hackneyed in the literature of the period . The source can be discovered in ... portrait beside him . Waking up and seeing the portrait , Gomatz immediately falls in love and sings of his love ...
... portrait , which furthermore was almost hackneyed in the literature of the period . The source can be discovered in ... portrait beside him . Waking up and seeing the portrait , Gomatz immediately falls in love and sings of his love ...
Seite 191
... portrait of her daughter and repeat her words to him : " Findest du , sagt sie , das diese Züge dir nicht ... Portrait Tamino gazes at the portrait with violent emotion and im- mediately expresses his love for the girl it pictures ...
... portrait of her daughter and repeat her words to him : " Findest du , sagt sie , das diese Züge dir nicht ... Portrait Tamino gazes at the portrait with violent emotion and im- mediately expresses his love for the girl it pictures ...
Seite 207
... portrait , and presents himself as the messenger of the Queen of the Night . He tells the story of the portrait presented to Tamino and reveals to Pamina that this unknown prince immediately fell in love with her and is coming to set ...
... portrait , and presents himself as the messenger of the Queen of the Night . He tells the story of the portrait presented to Tamino and reveals to Pamina that this unknown prince immediately fell in love with her and is coming to set ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte