The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
Im Buch
Ergebnisse 1-3 von 18
Seite 131
... profane filled with the tone of perfect tolerance which must reign in the bosom of a well - conducted Masonic lodge . " 3 In fact , that is the direction given to the dialogue : the priest allows Tamino to criticize Sarastro and ...
... profane filled with the tone of perfect tolerance which must reign in the bosom of a well - conducted Masonic lodge . " 3 In fact , that is the direction given to the dialogue : the priest allows Tamino to criticize Sarastro and ...
Seite 133
... profane man ? " the Venerable asks . The Expert replies that it is " a profane man who demands reception as a Mason . " The Venerable questions the Expert as to whether this profane man possesses the requisite virtues . * The Expert ...
... profane man ? " the Venerable asks . The Expert replies that it is " a profane man who demands reception as a Mason . " The Venerable questions the Expert as to whether this profane man possesses the requisite virtues . * The Expert ...
Seite 134
... profane man is subjected is of a special nature : it includes a portion of the preliminary exami- nation and of the initiatory trial properly speaking . We shall examine it later under the second aspect , but here let us con- centrate ...
... profane man is subjected is of a special nature : it includes a portion of the preliminary exami- nation and of the initiatory trial properly speaking . We shall examine it later under the second aspect , but here let us con- centrate ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte