The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 91
... role there ( Mozart introduced it into several initiatory scenes in Die Zauberflöte ) . Not only were many Masonic works written for wind instruments , but also that special sonority often was employed by initiate musicians for covert ...
... role there ( Mozart introduced it into several initiatory scenes in Die Zauberflöte ) . Not only were many Masonic works written for wind instruments , but also that special sonority often was employed by initiate musicians for covert ...
Seite 159
... role that is all the more effective because they figure importantly in Masonic symbolism , which did not forget that ... roles philosopher Alain ten years earlier ( 1926 ) in his Système des beaux - arts , IV , p . 10. I attempted a ...
... role that is all the more effective because they figure importantly in Masonic symbolism , which did not forget that ... roles philosopher Alain ten years earlier ( 1926 ) in his Système des beaux - arts , IV , p . 10. I attempted a ...
Seite 306
... role of Sarastro four years later and became one of the great bassos of Germany ; Sebastian Mayer , a brother - in - law of Mozart , alternated with Schikaneder as Papageno on the evenings when the latter , physically unwell or out of ...
... role of Sarastro four years later and became one of the great bassos of Germany ; Sebastian Mayer , a brother - in - law of Mozart , alternated with Schikaneder as Papageno on the evenings when the latter , physically unwell or out of ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte