The magic flute, Masonic opera: an interpretation of the libretto and the music |
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Página 23
Mozart was not involved, having composed his score only after that recasting was
complete — and, naturally, to the final version of the libretto. All of that is perfectly
plausible except for one detail: the play at the Leopoldstadt was presented on ...
Mozart was not involved, having composed his score only after that recasting was
complete — and, naturally, to the final version of the libretto. All of that is perfectly
plausible except for one detail: the play at the Leopoldstadt was presented on ...
Página 159
In an introductory chapter such as this, I cannot undertake to deal with the
innumerable intentions that, in this respect, crowd a score that is extraordinarily
worked out; that undertaking will appear throughout the analysis. Here the
citation of ...
In an introductory chapter such as this, I cannot undertake to deal with the
innumerable intentions that, in this respect, crowd a score that is extraordinarily
worked out; that undertaking will appear throughout the analysis. Here the
citation of ...
Página 164
when she finally sees Tamino's features in reality — and the two phrases, at the
two extremities of the score, have the same melodic design. Again, the same
design underlies the "Vielleicht sah er Paminen schon" that expresses a closely ...
when she finally sees Tamino's features in reality — and the two phrases, at the
two extremities of the score, have the same melodic design. Again, the same
design underlies the "Vielleicht sah er Paminen schon" that expresses a closely ...
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Contenido
What Everyone Knows | 3 |
Traditions and Misunderstandings | 7 |
How Many Authors? | 11 |
Derechos de autor | |
Otras 24 secciones no mostradas
Otras ediciones - Ver todas
The magic flute, masonic opera: an interpretation of the libretto and the music Jacques Chailley Vista de fragmentos - 1971 |
Términos y frases comunes
allusion appears aria beginning Birdcatcher Cabinet of Reflection cadence character chorale chords chorus comic composed degree duet E-flat major Editions Robert Laffont Egyptian Elements episode evokes fauxbourdon feminine initiation final Fire and Water Freemason Freemasonry fugue G major Giesecke glockenspiel initiatory Isis Jacques Chailley Jules Boucher kingdom later Leopoldstadt libretto lodge Loge magic flute masculine Masonic Masonry Massin Monostatos moral Mozart Nettl Night notes Oberon opera orchestra Otto Erich Deutsch Overture Palou Pamina Papageno Paris Paul Nettl phrase plate from Editions play portrait preceding priests profane Queen represents rhythm rite ritual role rubric Salzburg Sarastro says Schikaneder Schikaneder's score serpent Sethos Seyfried significance silence Singspiel SPOKEN SCENE stage swoon symbolic Tamino Tamino and Pamina Temple Thamos theater theatrical Three Boys Three Ladies tion tonality traditional trial by Air trial by Earth trio Vienna violins voice Wisdom woman words Zauber Zauberflote