The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 23
... score only after that recast- ing was complete - and , naturally , to the final version of the libretto . All of that is perfectly plausible except for one detail : the play at the Leopoldstadt was presented on June 8. Theaters of that ...
... score only after that recast- ing was complete - and , naturally , to the final version of the libretto . All of that is perfectly plausible except for one detail : the play at the Leopoldstadt was presented on June 8. Theaters of that ...
Seite 159
... score that is extraordinarily worked out ; that under- taking will appear throughout the analysis . Here the ... score . Everything in the course of the From Libretto to Score / 159 Part Three.
... score that is extraordinarily worked out ; that under- taking will appear throughout the analysis . Here the ... score . Everything in the course of the From Libretto to Score / 159 Part Three.
Seite 164
... score , have the same melodic design . Again , the same design underlies the “ Vielleicht sah er Paminen schon " that expresses a closely re- lated idea . Another example : the Three Ladies will ask “ Ich sollte fort ? " when they ...
... score , have the same melodic design . Again , the same design underlies the “ Vielleicht sah er Paminen schon " that expresses a closely re- lated idea . Another example : the Three Ladies will ask “ Ich sollte fort ? " when they ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte