The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 136
... silence and the symbolic journey through the dangers of the four Elements . ( a ) Silence The trial by silence is clearly announced and the neophytes are frequently reminded of its terms . It corresponds to a ritual recommendation ...
... silence and the symbolic journey through the dangers of the four Elements . ( a ) Silence The trial by silence is clearly announced and the neophytes are frequently reminded of its terms . It corresponds to a ritual recommendation ...
Seite 137
Jacques Chailley. ( cf. Plate 28 ) : silence about everything that they may see and hear in the Lodge , so that " secret society " may not be empty words . But in the framework of Die Zauberflöte this silence acquires a very special ...
Jacques Chailley. ( cf. Plate 28 ) : silence about everything that they may see and hear in the Lodge , so that " secret society " may not be empty words . But in the framework of Die Zauberflöte this silence acquires a very special ...
Seite 243
... silence when faced with the tittle - tattle of the fair sex . Conceived as a function of Tamino's trials , the symbol doubtless introduces some illogi- cality into the character of the Three Ladies , who were pre- sented in Act I as ...
... silence when faced with the tittle - tattle of the fair sex . Conceived as a function of Tamino's trials , the symbol doubtless introduces some illogi- cality into the character of the Three Ladies , who were pre- sented in Act I as ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte