The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 21
... story , after which , having learned that a competitor had preceded him in adapting the same story , he simply went on with his work on the basis of another scheme , starting at the point he had already reached . Mozart , we are told ...
... story , after which , having learned that a competitor had preceded him in adapting the same story , he simply went on with his work on the basis of another scheme , starting at the point he had already reached . Mozart , we are told ...
Seite 24
... story , that of a writer specializing in plagiarism ( not at all an outrage to the ethics of the period ) who is suddenly seized by panic at the idea that his next pro- duction will resemble that of a competitor , this when he has just ...
... story , that of a writer specializing in plagiarism ( not at all an outrage to the ethics of the period ) who is suddenly seized by panic at the idea that his next pro- duction will resemble that of a competitor , this when he has just ...
Seite 123
... story doubtless was the point of departure . But thereafter , almost certainly under pressure from Mozart and Born , the story evolved in such a way that the flute became little more than an accessory . Moving farther and farther away ...
... story doubtless was the point of departure . But thereafter , almost certainly under pressure from Mozart and Born , the story evolved in such a way that the flute became little more than an accessory . Moving farther and farther away ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte