The Magic Flute, Masonic OperaDa Capo Press, 1982 M04 21 - 336 páginas |
Dentro del libro
Resultados 1-3 de 42
Página 18
... tion to a few passages , " he writes . " But he laughed at every- thing . Well , I could stand it no longer . I called him a Papa- geno and cleared out . But I don't think that the idiot under- stood my remark . " I have italicized " a ...
... tion to a few passages , " he writes . " But he laughed at every- thing . Well , I could stand it no longer . I called him a Papa- geno and cleared out . But I don't think that the idiot under- stood my remark . " I have italicized " a ...
Página 27
Jacques Chailley. tion , already referred to , gives the more or less standard pres- ent state of the story : 5 The ... tion that must be examined cautiously . What is certain is that in no case can we consider the libretto as we The ...
Jacques Chailley. tion , already referred to , gives the more or less standard pres- ent state of the story : 5 The ... tion that must be examined cautiously . What is certain is that in no case can we consider the libretto as we The ...
Página 180
... tion . The theme resumes for a second development , which is of a very different nature : by its tormented harmony and by the incessant modulations of its " tonal journey , " this part evokes the trials of the symbolic " journey " of ...
... tion . The theme resumes for a second development , which is of a very different nature : by its tormented harmony and by the incessant modulations of its " tonal journey , " this part evokes the trials of the symbolic " journey " of ...
Contenido
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Derechos de autor | |
Otras 18 secciones no mostradas
Otras ediciones - Ver todas
La Flûte Enchantée, Opéra Maçonnique: Essai D'explication Du Livret Et de la ... Jacques Chailley Vista de fragmentos - 1971 |
Términos y frases comunes
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte