The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Ergebnisse 1-3 von 27
Seite 141
... Air Continuing in the ritual order , Tamino next passes his trial by Air . It begins with the trio , No. 16 : its nature is announced both by the mise en scène ( the arrival of the Three Boys in a flying chariot ) and by the orchestra ...
... Air Continuing in the ritual order , Tamino next passes his trial by Air . It begins with the trio , No. 16 : its nature is announced both by the mise en scène ( the arrival of the Three Boys in a flying chariot ) and by the orchestra ...
Seite 151
... trial by Earth , just as in Act I she underwent her swoon just after his . There was a strong prejudice in favor of symmetry in the theatrical world of the epoch . Tamino has now exper- ienced his trial by Air , and as the two following ...
... trial by Earth , just as in Act I she underwent her swoon just after his . There was a strong prejudice in favor of symmetry in the theatrical world of the epoch . Tamino has now exper- ienced his trial by Air , and as the two following ...
Seite 156
... trial , for which reason Papageno returns to his earlier fluting . As in Act I , he uses his five - note run to call the woman . Then , obtaining no response , he comically climbs a hillock ( Air = ascent ) in order to hang himself ...
... trial , for which reason Papageno returns to his earlier fluting . As in Act I , he uses his five - note run to call the woman . Then , obtaining no response , he comically climbs a hillock ( Air = ascent ) in order to hang himself ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte