The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 192
... violins . The second question ( in the dominant ) : " Soll die Empfindung Liebe sein ? ” already has a Schumannesque ... violin , frantic twistings followed by silences interrupted by emotion , then for the voice alone ( the two sorts ...
... violins . The second question ( in the dominant ) : " Soll die Empfindung Liebe sein ? ” already has a Schumannesque ... violin , frantic twistings followed by silences interrupted by emotion , then for the voice alone ( the two sorts ...
Seite 213
... violins , into the style of opera which had been abandoned . That style disappears as soon as the Boys speak again . Not replying , they reiterate their triple commandment followed by triple emphasis , and then prolong it in a ...
... violins , into the style of opera which had been abandoned . That style disappears as soon as the Boys speak again . Not replying , they reiterate their triple commandment followed by triple emphasis , and then prolong it in a ...
Seite 240
... violins ) . Style of the religious canticle in fauxbourdon , in which abound series of parallel sixths and thirds , modal degrees of religious evocation ( VI ) , the depths of the voice doubling the harmonic bass , as often in the older ...
... violins ) . Style of the religious canticle in fauxbourdon , in which abound series of parallel sixths and thirds , modal degrees of religious evocation ( VI ) , the depths of the voice doubling the harmonic bass , as often in the older ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte