The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 219
... voice by the cello in an expressive register ( a discovery so effective that the naturalism of the nineteenth century will vulgarize it into a veritable method , even aggravating it at times by moving it to the deep octave of the voice ) ...
... voice by the cello in an expressive register ( a discovery so effective that the naturalism of the nineteenth century will vulgarize it into a veritable method , even aggravating it at times by moving it to the deep octave of the voice ) ...
Seite 240
... voice doubling the harmonic bass , as often in the older repertoire ( bass particularly shored up on the word " Grabe " [ tomb ] ) . The first phrase , which asks Isis and Osiris to give wisdom to the " Neue Paar " and to watch over the ...
... voice doubling the harmonic bass , as often in the older repertoire ( bass particularly shored up on the word " Grabe " [ tomb ] ) . The first phrase , which asks Isis and Osiris to give wisdom to the " Neue Paar " and to watch over the ...
Seite 305
... voice - and it had to be kept in extremely simple form - and see how melodious it still is in that form , how ex- quisitely lovable ! Mozart had to change the duet " Bei Männern , welche Liebe fühlen " three times . Schikaneder kept on ...
... voice - and it had to be kept in extremely simple form - and see how melodious it still is in that form , how ex- quisitely lovable ! Mozart had to change the duet " Bei Männern , welche Liebe fühlen " three times . Schikaneder kept on ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte