The Magic Flute, Masonic OperaDa Capo Press, 21.04.1982 - 336 Seiten |
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Seite 109
... woman is not , fundamentally , the image of her true na- ture as a woman , the pretty appearance that she reveals at last an illusion of the man inflamed by wine and desire . We will come upon this question again when discussing the ...
... woman is not , fundamentally , the image of her true na- ture as a woman , the pretty appearance that she reveals at last an illusion of the man inflamed by wine and desire . We will come upon this question again when discussing the ...
Seite 152
... Woman as such has been officially au- thorized for the first time to undergo initiatory trials . The morality trio , which precedes the movement toward the Fire , merits careful attention in that regard : " A woman who fears neither ...
... Woman as such has been officially au- thorized for the first time to undergo initiatory trials . The morality trio , which precedes the movement toward the Fire , merits careful attention in that regard : " A woman who fears neither ...
Seite 270
... woman who had made such curious advances to him during the trial by Water . Now those advances become a formal declaration , which Papageno receives without enthusiasm . But when the old woman assures him that the only choice he has is ...
... woman who had made such curious advances to him during the trial by Water . Now those advances become a formal declaration , which Papageno receives without enthusiasm . But when the old woman assures him that the only choice he has is ...
Inhalt
Traditions and Misunderstandings | 7 |
4 | 19 |
5 | 27 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action already answer appears aria asks beginning Born called century Chapter character chords close complete composed Die Zauberflöte E-flat Earth Elements episode expresses face fact feminine final Fire five flute follow give given hand idea initiation kingdom later lead leave less libretto light lodge magic major masculine Masonic Masonry Massin Master meaning measure minor Monostatos moral Mozart nature never Night notes opening opera orchestra original Pamina Papageno Paris perhaps phrase Plate play preceding present priests Queen question reason recall reference remain repeated represents rhythm ritual role Sarastro says scene Schikaneder seems seen serpent significance speak stage story symbolic Tamino Temple theater third Three Boys Three Ladies tion tonality traditional translation trial true voice Water woman young Zauberflöte