Doubting ThomasHarvard University Press, 2007 M09 30 - 288 páginas About the disciple known as Doubting Thomas, everyone knows at least this much: he stuck his finger into the risen Jesus’ wounds. Or did he? A fresh look at the Gospel of John reveals how little we may really understand about this most perplexing of biblical figures, and how much we might learn from the strange twists and turns Thomas’s story has taken over time. |
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... , the other to Caravaggio's painting of Doubting Thomas; in between, considerations of space, propriety, balance, and ignorance have all compelled a more exploratory approach, navigating by generalizations and suggestions among Preface.
... , the other to Caravaggio's painting of Doubting Thomas ; in between , consider- ations of space , propriety , balance , and ignorance have all compelled a more exploratory approach , navigating by generalizations and sug- Preface.
... painting and sculpture . The focus upon the traditions lets us examine the contradiction between , on the one hand , a short and famous foundational text , and , on the other , the numerous in- stances of commentary and elaboration that ...
... paint- ing by Caravaggio , many pleasantly spent hours later , that path has led to this book . Certainly , without the years of friendly and stimu- lating discussions in the Heidelberg " Kirchenväter " seminar , I would have had far ...
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Contenido
3 | |
The Synoptic Gospels | 12 |
The Gospel of John | 28 |
Touching a God | 69 |
RESPONSES AND DEVELOPMENTS | 75 |
Sources and Reflections | 77 |
The Apocrypha and Beyond | 82 |
From the Church Fathers to the CounterReformation | 122 |
Thomas in Sacred Images | 155 |
The Holy Finger | 215 |
Afterword | 223 |
Bibliographical Essays | 229 |
Illustration Credits | 257 |
Indexes | 259 |