Maligned Master: The Real Story of Antonio SalieriFromm International Publishing Corporation, 1992 - 276 Seiten In this first biography of Salieri in 160 years, Braunbehrens examines the composer's life and carefully analyzes his relationship with Mozart and both the libretti and the music of Salieri's operas. |
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Seite 23
... Metastasio was generous enough to receive the eager young man in private , when no admirers would disturb the poetic- musical instruction - perhaps Metastasio was as receptive to flattery as he was skilful in practicing it . Salieri ...
... Metastasio was generous enough to receive the eager young man in private , when no admirers would disturb the poetic- musical instruction - perhaps Metastasio was as receptive to flattery as he was skilful in practicing it . Salieri ...
Seite 24
... Metastasio's dominating influence on operatic style came to an end . The first new works to break away from the Metastasian model were given very mixed receptions . Of course , it was impossible to foresee the far - reaching ...
... Metastasio's dominating influence on operatic style came to an end . The first new works to break away from the Metastasian model were given very mixed receptions . Of course , it was impossible to foresee the far - reaching ...
Seite 81
... Metastasio's unchallenged reign of over half a century . Without Metastasio , Italian opera could hardly have been as dominant as it was , for Italian literature had produced no one else anywhere near his stature . However , as the ...
... Metastasio's unchallenged reign of over half a century . Without Metastasio , Italian opera could hardly have been as dominant as it was , for Italian literature had produced no one else anywhere near his stature . However , as the ...
Inhalt
Naples or Vienna 17501772 | 13 |
The Emperors Protégé 17731777 | 39 |
Italian Journeys and an Epilogue 17781781 | 59 |
Urheberrecht | |
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Maligned Master: The Real Story of Antonio Salieri Volkmar Braunbehrens Keine Leseprobe verfügbar - 1992 |
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Allgemeine musikalische Zeitung Antonio Salieri arias Armida artistic Astasie Atar Axur ballet Beaumarchais became become Beethoven Burgtheater Calpigi Casti characters chorus comic composer composition concerts considered Count Rosenberg court Danaïdes Danaus daughter death Deutsch dramatic emperor ensemble entirely especially expression finally Franz French Gamerra Gassmann German Singspiel Giovanni Gluck Habsburg Herr Hofkapellmeister Hypermestra Ibid Ignaz important intrigues Italian Opera Italy Joseph Joseph II Kapellmeister king later Legnago Leopold Leopold Mozart Les Danaïdes letter librettist libretto lived Lorenzo Da Ponte managed Metastasio Mosel Mozart music theater musicians Nationaltheater nozze di Figaro numbers opera buffa opera seria orchestra Otto Erich Deutsch Paris performed pianoforte piece play plot poet poison political Ponte Ponte's premiere produced received recitatives rehearsals role royal Rudolph Angermüller Salieri wrote Salieri's operas scene singers singing Singspiel success talent Tarare theatrical took tried Venice verses Vienna Viennese wanted write written