Maligned Master: The Real Story of Antonio SalieriFromm International Publishing Corporation, 1992 - 276 Seiten In this first biography of Salieri in 160 years, Braunbehrens examines the composer's life and carefully analyzes his relationship with Mozart and both the libretti and the music of Salieri's operas. |
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Seite 54
... audience , which saw those painted figures looking out among the bushes , not only began to laugh but laughed all the more when they noticed the singers looking around the stage , unable to guess or understand the cause of the ...
... audience , which saw those painted figures looking out among the bushes , not only began to laugh but laughed all the more when they noticed the singers looking around the stage , unable to guess or understand the cause of the ...
Seite 76
... audience with the archbishop . He was still so full of rage , and so angry at a conversation he had had afterward ... audiences he gave me , especially in the latest one , and the most recent comment this wonderful man of God made to me ...
... audience with the archbishop . He was still so full of rage , and so angry at a conversation he had had afterward ... audiences he gave me , especially in the latest one , and the most recent comment this wonderful man of God made to me ...
Seite 120
... audience . Parody works best when it comes closest to the reality it mocks , and in this respect Casti's libretto has to be considered entirely adequate , certainly not inferior to the other work , Gottlieb Stephanie's Der ...
... audience . Parody works best when it comes closest to the reality it mocks , and in this respect Casti's libretto has to be considered entirely adequate , certainly not inferior to the other work , Gottlieb Stephanie's Der ...
Inhalt
Naples or Vienna 17501772 | 13 |
The Emperors Protégé 17731777 | 39 |
Italian Journeys and an Epilogue 17781781 | 59 |
Urheberrecht | |
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Maligned Master: The Real Story of Antonio Salieri Volkmar Braunbehrens Keine Leseprobe verfügbar - 1992 |
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Allgemeine musikalische Zeitung Antonio Salieri arias Armida artistic Astasie Atar Axur ballet Beaumarchais became become Beethoven Burgtheater Calpigi Casti characters chorus comic composer composition concerts considered Count Rosenberg court Danaïdes Danaus daughter death Deutsch dramatic emperor ensemble entirely especially expression finally Franz French Gamerra Gassmann German Singspiel Giovanni Gluck Habsburg Herr Hofkapellmeister Hypermestra Ibid Ignaz important intrigues Italian Opera Italy Joseph Joseph II Kapellmeister king later Legnago Leopold Leopold Mozart Les Danaïdes letter librettist libretto lived Lorenzo Da Ponte managed Metastasio Mosel Mozart music theater musicians Nationaltheater nozze di Figaro numbers opera buffa opera seria orchestra Otto Erich Deutsch Paris performed pianoforte piece play plot poet poison political Ponte Ponte's premiere produced received recitatives rehearsals role royal Rudolph Angermüller Salieri wrote Salieri's operas scene singers singing Singspiel success talent Tarare theatrical took tried Venice verses Vienna Viennese wanted write written