Maligned Master: The Real Story of Antonio SalieriFromm International Publishing Corporation, 1992 - 276 Seiten In this first biography of Salieri in 160 years, Braunbehrens examines the composer's life and carefully analyzes his relationship with Mozart and both the libretti and the music of Salieri's operas. |
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Seite 35
... libretto's complex plot failed to create suspense . Boccherini proved to be a librettist who did not develop any particular individuality ; yet Salieri was faithful to the man with whom he had begun . It is precisely in this work that ...
... libretto's complex plot failed to create suspense . Boccherini proved to be a librettist who did not develop any particular individuality ; yet Salieri was faithful to the man with whom he had begun . It is precisely in this work that ...
Seite 73
... libretto and that of Mozart's Entführung aus dem Serail . Realizing their importance to good opera , Mozart was especially critical of his librettos . In this connection , he writes to his father on May 7 , 1783 : I have read through at ...
... libretto and that of Mozart's Entführung aus dem Serail . Realizing their importance to good opera , Mozart was especially critical of his librettos . In this connection , he writes to his father on May 7 , 1783 : I have read through at ...
Seite 92
... libretto , when all they had done was prepare its French version . No mention was made of Calzabigi's being the work's rightful librettist . The latter may have been even more disap- pointed that Gluck had simply passed on to Salieri a ...
... libretto , when all they had done was prepare its French version . No mention was made of Calzabigi's being the work's rightful librettist . The latter may have been even more disap- pointed that Gluck had simply passed on to Salieri a ...
Inhalt
Naples or Vienna 17501772 | 13 |
The Emperors Protégé 17731777 | 39 |
Italian Journeys and an Epilogue 17781781 | 59 |
Urheberrecht | |
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Maligned Master: The Real Story of Antonio Salieri Volkmar Braunbehrens Keine Leseprobe verfügbar - 1992 |
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Allgemeine musikalische Zeitung Antonio Salieri arias Armida artistic Astasie Atar Axur ballet Beaumarchais became become Beethoven Burgtheater Calpigi Casti characters chorus comic composer composition concerts considered Count Rosenberg court Danaïdes Danaus daughter death Deutsch dramatic emperor ensemble entirely especially expression finally Franz French Gamerra Gassmann German Singspiel Giovanni Gluck Habsburg Herr Hofkapellmeister Hypermestra Ibid Ignaz important intrigues Italian Opera Italy Joseph Joseph II Kapellmeister king later Legnago Leopold Leopold Mozart Les Danaïdes letter librettist libretto lived Lorenzo Da Ponte managed Metastasio Mosel Mozart music theater musicians Nationaltheater nozze di Figaro numbers opera buffa opera seria orchestra Otto Erich Deutsch Paris performed pianoforte piece play plot poet poison political Ponte Ponte's premiere produced received recitatives rehearsals role royal Rudolph Angermüller Salieri wrote Salieri's operas scene singers singing Singspiel success talent Tarare theatrical took tried Venice verses Vienna Viennese wanted write written