The Philadelphia Book, Or, Specimens of Metropolitan Literature |
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Página 33
A salt - box may be where there is no salt ; but salt is absolutely necessary to the existence of a box of salt . PROF . Are not salt - boxes otherwise divided ? Stu . Yes : by a partition . PROF . What is the use of this partition ?
A salt - box may be where there is no salt ; but salt is absolutely necessary to the existence of a box of salt . PROF . Are not salt - boxes otherwise divided ? Stu . Yes : by a partition . PROF . What is the use of this partition ?
Página 34
Very true : —for a salt - box which never had , hath not now , and perhaps never may have , any salt in it , can only be termed a possible salt - box . What is a probable salt - box ? Stu . It is a salt - box in the hand of one going to ...
Very true : —for a salt - box which never had , hath not now , and perhaps never may have , any salt in it , can only be termed a possible salt - box . What is a probable salt - box ? Stu . It is a salt - box in the hand of one going to ...
Página 35
Not unless the ideal box hath ideal salt in it . PROF . True : -and therefore an abstract idea cannot be either salt or fresh ; round or square ; long or short : ! for a true abstract idea must be entirely free of all adjuncts .
Not unless the ideal box hath ideal salt in it . PROF . True : -and therefore an abstract idea cannot be either salt or fresh ; round or square ; long or short : ! for a true abstract idea must be entirely free of all adjuncts .
Página 36
salt be spilt , the salt - box broken , and the cook in a bitter passion : and this is the accidental mode with its consequences . PROF . How do you distinguish between the top and bottom of a salt - box ? Sru . The top of a box is that ...
salt be spilt , the salt - box broken , and the cook in a bitter passion : and this is the accidental mode with its consequences . PROF . How do you distinguish between the top and bottom of a salt - box ? Sru . The top of a box is that ...
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admiration appeared arms beautiful become blue body called cause character colours course critic dark dead death deep earth fall feelings fire flowers genius give hand head heard heart hill honour hope hour human influence interest Italy labour land learned leave less light live look means mind morning mountain nature never night o'er object observed officer once passed passions perhaps person pleasure poor present reach reason remark rest rocks round salt salt-box scene seemed seen side smile soon soul sound spirit spring stand stream street sweet taste thee thing thou thought tion trees true truth turned voice waves whole wild young youth