Shakespeare and the Nature of ManMacmillan, 1942 - 233 páginas Donated by Sydney Harris. |
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Página 11
... angels , who are pure intellect , and who are able to apprehend universal truth without the medium of the senses . Above the angels is God , who - in Aristotelian terms — is pure actuality . A moment's reflection on this scheme will ...
... angels , who are pure intellect , and who are able to apprehend universal truth without the medium of the senses . Above the angels is God , who - in Aristotelian terms — is pure actuality . A moment's reflection on this scheme will ...
Página 13
... Angels , ariseth will . " 29 This description of man's higher powers is , to be sure , some- what eclectic : there is a good deal of disagreement , for exam- ple , as to whether reason and understanding are two different faculties , or ...
... Angels , ariseth will . " 29 This description of man's higher powers is , to be sure , some- what eclectic : there is a good deal of disagreement , for exam- ple , as to whether reason and understanding are two different faculties , or ...
Página 49
... angels , we were men at least , But little lower than the gods and angels . But once comparisons were yielded downward , Once we began to see our images Reflected in the mud and even dust , ' Twas disillusion upon disillusion . We were ...
... angels , we were men at least , But little lower than the gods and angels . But once comparisons were yielded downward , Once we began to see our images Reflected in the mud and even dust , ' Twas disillusion upon disillusion . We were ...
Contenido
the Optimistic Theory I | 1 |
the Renaissance Conflict | 21 |
The Dramatic Convention and Shakespeares Early Use of It | 51 |
Derechos de autor | |
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Términos y frases comunes
action Aeschylus angels animals Antony and Cleopatra audience beast beginning belief body century chaos character chronicle play concept conflict convention Coriolanus creatures death described difference between appearance doth dramatic earth elements Elizabethan emphasized everything evil fact fashion Faustus feel gives God's gods Goneril Gorboduc Hamlet hath heavens Henry hero hierarchy human nature Iago ideal individual intellectual kind King Lear kingship last plays Lear's Leontes lives lust Macbeth Machiavelli macrocosm man's nature merely mind Montaigne morality morality play Nature's Noble Kinsmen Othello passion picture Plutarch Prince Prospero re-inforced reality reason reflection relation Renaissance Richard Sabunde says scene seems sense Shake Shakespeare situation sixteenth sixteenth-century soul speaks speare's speech spheres stars story Tamburlaine Tempest Thersites things thou thought Timon tion traditional views tragedy tragic trans Troilus and Cressida truth Ulysses universal views of man's violation vision whole Winter's Tale words writers