Shakespeare and the Nature of ManMacmillan, 1942 - 233 páginas Donated by Sydney Harris. |
Dentro del libro
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Página 44
... truth of things , rather than to a fancy pic- ture . " 45 And the real truth of things , as Machiavelli saw it , had no connection with the elaborate structure of inter - related hier- archies or with the responsibility of man to the ...
... truth of things , rather than to a fancy pic- ture . " 45 And the real truth of things , as Machiavelli saw it , had no connection with the elaborate structure of inter - related hier- archies or with the responsibility of man to the ...
Página 85
Theodore Spencer. The seeming truth which cunning times put on To entrap the wisest , ( iii , 2 , 100 ) has the sense to choose the casket of lead where Portia's picture lies . This particular use of the difference between appearance and ...
Theodore Spencer. The seeming truth which cunning times put on To entrap the wisest , ( iii , 2 , 100 ) has the sense to choose the casket of lead where Portia's picture lies . This particular use of the difference between appearance and ...
Página 220
... truth , just as the pessimism of the early seventeenth century gave only half the truth . And if we think of ourselves in relation to that period , and in relation to the two different views of man's nature which that period expressed ...
... truth , just as the pessimism of the early seventeenth century gave only half the truth . And if we think of ourselves in relation to that period , and in relation to the two different views of man's nature which that period expressed ...
Contenido
the Optimistic Theory I | 1 |
the Renaissance Conflict | 21 |
The Dramatic Convention and Shakespeares Early Use of It | 51 |
Derechos de autor | |
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Términos y frases comunes
action Aeschylus angels animals Antony and Cleopatra audience beast beginning belief body century chaos character chronicle play concept conflict convention Coriolanus creatures death described difference between appearance doth dramatic earth elements Elizabethan emphasized everything evil fact fashion Faustus feel gives God's gods Goneril Gorboduc Hamlet hath heavens Henry hero hierarchy human nature Iago ideal individual intellectual kind King Lear kingship last plays Lear's Leontes lives lust Macbeth Machiavelli macrocosm man's nature merely mind Montaigne morality morality play Nature's Noble Kinsmen Othello passion picture Plutarch Prince Prospero re-inforced reality reason reflection relation Renaissance Richard Sabunde says scene seems sense Shake Shakespeare situation sixteenth sixteenth-century soul speaks speare's speech spheres stars story Tamburlaine Tempest Thersites things thou thought Timon tion traditional views tragedy tragic trans Troilus and Cressida truth Ulysses universal views of man's violation vision whole Winter's Tale words writers