Symphonic Metamorphoses: Subjectivity and Alienation in Mahler's Re-cycled SongsWesleyan University Press, 2003 - 320 páginas This revelatory new book takes readers far beyond most existing critical analyses of Mahler's work, escaping the tired traps of broad historical survey and formalist plot summary. Symphonic Metamorphoses considers Mahler’s early practice of basing his symphonies on pre-existing songs and elaborates how this practice informs the techniques and tropes of Mahler’s musico-cultural discourse, involving montage, social satire, subjectivity, autonomy, alienation, childhood, absolute music, time and cosmology. Raymond Knapp explores these themes with persuasive readings backed by impeccable scholarship, providing insights into the organic link between Mahler's music and his historo-cultural sphere. Knapp's look at Mahler is unique in terms of both the depth of its inquiry and the freshness of its approach. Symphonic Metamorphoses is a graceful and vital addition to Mahler studies and to musicological studies in general. |
Dentro del libro
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Contenido
Montage and Contexture | 13 |
Absolute Music as a Topic | 71 |
The Autonomy of Musical Presence I | 121 |
Subjectivity and Selfhood | 151 |
The Autonomy | 195 |
Reclaiming Childhood | 209 |
Notes | 259 |
305 | |
313 | |
Otras ediciones - Ver todas
Symphonic Metamorphoses: Subjectivity and Alienation in Mahler’s Re-Cycled Songs Raymond Knapp Sin vista previa disponible - 2003 |
Términos y frases comunes
Ablösung im Sommer absolute music adult allusion Alma Mahler arco Arnold Böcklin Bassoon Bauer-Lechner Beethoven's bimm bamm Böcklin chapter child childhood chorale phrases Contrabass cuckoo cycle Dämpfer dance Das himmlische Leben death discussion episode Example exposition F Hn fahrenden Gesellen fiddle figure film finale Fischpredigt Flute forest Fourth Symphony Freund Hein G major gesture Gib Acht Ging heut Grange Gustav Mahler hear heteroglossia himmlische Leben Horn in F images innocence instrumental intruder irdische Leben Kuleshov La Grange later Lieder Mahler's Fourth Symphony Mahler's music Mahler's scherzo melody Mensch Moreover motive narrative Natalie Bauer-Lechner Ninth Symphony Oboe opening passage perspective phony pizz play poem posthorn Predigt present re-cyclings scherzo Second Symphony seems sense setting sleigh bells solo song sord specific structure subjectivity sungen drei Engel Sybil tempo theme third movement Third Symphony timpani tion trio trumpet Violin vocal voice