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Página 33
From Troilus ' wait on the walls on the tenth day through Cassandra ' s
interpretation of his dream , 33 Chaucer reduced his source from 848 to 441 lines
. After the Cassandra episode , both poems are brought to a close in almost
exactly the ...
From Troilus ' wait on the walls on the tenth day through Cassandra ' s
interpretation of his dream , 33 Chaucer reduced his source from 848 to 441 lines
. After the Cassandra episode , both poems are brought to a close in almost
exactly the ...
Página 54
Perhaps the most detailed study of Chaucer ' s narrative is that of Claes Schaar ,
5 who describes three types : summary narrative , close chronological narrative ,
and loose chronological narrative . In the first of these categories , Schaar ...
Perhaps the most detailed study of Chaucer ' s narrative is that of Claes Schaar ,
5 who describes three types : summary narrative , close chronological narrative ,
and loose chronological narrative . In the first of these categories , Schaar ...
Página 56
In Troilus we have something that is close to Plato ' s " combination style ” but for
the reasons I have set forth above , I believe we must treat even the most “
dramatic ” passages as what they really are , i . e . narrative literature . 13 What I
call ...
In Troilus we have something that is close to Plato ' s " combination style ” but for
the reasons I have set forth above , I believe we must treat even the most “
dramatic ” passages as what they really are , i . e . narrative literature . 13 What I
call ...
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actually arrangement basic beginning Boccaccio Book Book II break CALIFORNIA/SANTA CRUZ chapter Chaucer Chaucer's Troilus chronological clear clearly close concerned constitute consummation continuous contrasts covers Criseyde's critics CRUZ UNIVERSITY dealing decision described detail direct narrative discussed distinct division effect elaborate established example Filostrato final five four function hire important impression indicate introduced invocation involves least length less letter Library The University lines linked long unit lovers mark material Meech meeting mode narrative units narrator narrator's narrator's comment night noted objective time units obvious occurs Pandarus parallels particularly passages pattern period poem preceding presentation proem reference relationships relatively rhetorical Root says scene scheme seems separate shift similar single specific story structural structural devices subjective suggests summary narrative talk tion Troilus and Criseyde turning University Library