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Página 17
47 The relationship of parts and wholes — Moore ' s “ covering theory ” — is the
business of a structural description and until its business is completed , questions
involving unity cannot be effectively answered , though frequent attempts have ...
47 The relationship of parts and wholes — Moore ' s “ covering theory ” — is the
business of a structural description and until its business is completed , questions
involving unity cannot be effectively answered , though frequent attempts have ...
Página 23
I agree that interpretation is a higher form of criticism , and a more important one ,
than is structural description . As Bernard F . Huppé says , “ A method for the
structural analysis . . . can be described , and the description can be useful , as
long ...
I agree that interpretation is a higher form of criticism , and a more important one ,
than is structural description . As Bernard F . Huppé says , “ A method for the
structural analysis . . . can be described , and the description can be useful , as
long ...
Página 90
The longest narrative unit of the book , # 45 , occurs near the beginning of this
section , and the two other long units , # 40 and # 62 , occur within the first and
third sections , an arrangement which supports the division described above .
The longest narrative unit of the book , # 45 , occurs near the beginning of this
section , and the two other long units , # 40 and # 62 , occur within the first and
third sections , an arrangement which supports the division described above .
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actually arrangement basic beginning Boccaccio Book Book II break CALIFORNIA/SANTA CRUZ chapter Chaucer Chaucer's Troilus chronological clear clearly close concerned constitute consummation continuous contrasts covers Criseyde's critics CRUZ UNIVERSITY dealing decision described detail direct narrative discussed distinct division effect elaborate established example Filostrato final five four function hire important impression indicate introduced invocation involves least length less letter Library The University lines linked long unit lovers mark material Meech meeting mode narrative units narrator narrator's narrator's comment night noted objective time units obvious occurs Pandarus parallels particularly passages pattern period poem preceding presentation proem reference relationships relatively rhetorical Root says scene scheme seems separate shift similar single specific story structural structural devices subjective suggests summary narrative talk tion Troilus and Criseyde turning University Library